Showing posts with label New Yorker. Show all posts
Showing posts with label New Yorker. Show all posts

Friday, July 03, 2009

New Yorker: Iran, Hope and Disillusionment

The hope for change in Iran that inspired the leading " Talk of the Town" piece published in the June 29, 2009 New Yorker seemed outdated a week later, the time of its official publication. But Laura Secor's comment remains a valuable snapshot of that brief moment. She speaks of the "majesty" of the demonstrations. She emphasizes the "modesty" of the reform movement's demands: It wasn't an attempt to overthrow the mullah regime. It was to repudiate Ahamadinejad. It was simply to count the votes.

Secor reviews the disillusionment when President Khatami couldn't live up to the hope he engendered in 1997. This led to calls for a boycott of the 2005 elections which Ahmadinejad "won." Did his win make a difference? Yes, it did, writes Secor. A major difference.

A major one, as it turned out. Under Ahmadinejad, a crackdown on dissent forced scores of journalists, intellectuals, and activists to flee the country. Ahmadinejad centralized government, empowered the Basij militia and the Revolutionary Guards, flouted expert economic advice, and packed the ministries with ideological cronies. With few reformists permitted to run in the interim elections of 2006 and 2008, liberals and moderates had little recourse inside the political system...


---Laura Secor, The New Yorker

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Ronald
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Protest Vote, by Laura Secor

New Yorker

http://www.newyorker.com/talk/comment/2009/06/29/090629taco_talk_secor?printable=true

June 29, 2009 (published a week earlier)

More than a hundred Iranian reformists have been arrested in the turmoil following Mahmoud Ahmadinejad’s hastily declared victory in the June 12th Presidential election. Among them is Saeed Hajjarian, who had been a political consultant to former President Mohammad Khatami. In 2000, Hajjarian was shot in the face by an assassin who was widely believed to have been in the employ of the intelligence ministry. Hajjarian had once been a high official in the intelligence apparatus, and he was suspected of being the source of stories in a reformist newspaper tying the ministry to the grisly murders of dissidents. He survived the shooting, but was left partially paralyzed and is dependent on the constant care of doctors and family. He speaks with difficulty, and his office in the reformist-party headquarters contains a hospital bed. His doctor says that keeping him in detention without proper medical care could endanger his life.

It is not a good sign when a government feels the need to imprison even the dissidents it has already shot. But the skies are full of ominous signs for Iran’s protest movement. In a sermon at Friday prayers last week, Ayatollah Ali Khamenei, the supreme leader, defied any expectation that he might reverse course and call a new election under neutral monitors; instead, he demanded an end to the street protests and threatened their leaders with reprisals. The speech was surprising only in the light of the giddy, contagious hope that had risen from the sight of a long-suppressed citizenry’s refusal to be cowed. As one Iranian-American observer put it, using an indelicate Iranian expression, the leader has a saw in his posterior: he can’t go forward and he can’t go back. Unfortunately, even to hold still looks excruciating, most of all for the protesters at the wrong end of the batons, knives, and firearms of the Revolutionary Guards’ special forces.

Mir-Hossein Moussavi, the Presidential contender whose legions of supporters have taken to the streets of Iranian cities, has a long and complex history with Khamenei. When Moussavi was Prime Minister, in the nineteen-eighties, he belonged to a faction known as the Islamic Left. It shared power with a rival faction, the Islamic Right, led by Khamenei, who was then the President. When Moussavi and Khamenei clashed, as they often did, the charismatic leader of the Islamic Revolution and the supreme leader of the country, Ayatollah Ruhollah Khomeini, intervened—most frequently on Moussavi’s side.

So, in 1989, when Khomeini died and Khamenei replaced him as supreme leader, the Islamic Left was exiled to political purgatory. Moussavi did not lift his head in Iranian politics for twenty years. But during those years the rest of his Islamic Left faction, including Saeed Hajjarian, made one of the most dramatic turnabouts in Iran’s political history. It abandoned its hard-line commitments in favor of an agenda of liberalization, freedom of expression, the relaxation of Islamic social codes, and friendlier dealings with the world. On the strength of this platform, in 1997, Khatami, who had been Moussavi’s minister of culture, won the Presidency in a landslide. Parliament soon fell to the reformists, too. Although these elected officials were subordinate to Khamenei, Hajjarian believed that they could extend their reach by triangulating between the mass movement they represented and the autocratic state with which they shared power. He coined the phrase that would define the reformists’ strategy: “Pressure from below, negotiation at the top.”

That strategy failed. The pressure from below was for far-reaching democratic reform, which Khatami could not deliver within the confines of the constitution. Moreover, the authorities at the top were not interested in negotiating. A hundred independent newspapers and magazines opened, only to be forced to close; the Guardian Council vetoed much of the legislation passed by the parliament; and Khatami could not keep his inner circle out of prison, let alone the young people whose votes had won him the Presidency. By the time he left office, in 2005, the reformists had neither a credible leader nor a constituency. Activists and public figures called for a boycott of that year’s election. What good was voting if a President with a broad popular mandate could still be controlled and stymied by unelected powers? What difference did it even make who was President?

A major one, as it turned out. Under Ahmadinejad, a crackdown on dissent forced scores of journalists, intellectuals, and activists to flee the country. Ahmadinejad centralized government, empowered the Basij militia and the Revolutionary Guards, flouted expert economic advice, and packed the ministries with ideological cronies. With few reformists permitted to run in the interim elections of 2006 and 2008, liberals and moderates had little recourse inside the political system. Iran seemed headed for a confrontation between irreconcilables: the forces for secular democracy and those for autocratic theocracy.

“Reform is dead, long live reform”—that is another of Saeed Hajjarian’s favorite sayings. This spring, the reform movement looked deader than ever. Moussavi, its leading Presidential candidate, was a cipher. But some reformists were encouraged by his long rivalry with Khamenei, which they felt would make him a powerful and fearless advocate for his constituency, a role Khatami never undertook. Although Khatami’s party endorsed Moussavi, he described himself as independent, and assured voters that he believed in the principles of the Islamic Revolution. And yet, in a breathtaking, even inexplicable development, the Moussavi campaign produced a “green wave.” Perhaps all that voter apathy since 2005 masked a deeper, embarrassed hope. Or was it despair that had liberated Iranians to be pragmatic—to resign themselves to the longevity of the system and to set modest, achievable goals, like the repudiation of Ahmadinejad?

Whatever its origins, the Moussavi wave has coalesced with extraordinary speed into a disciplined, tactically sophisticated, and strikingly moderate movement. The protesters are not directly challenging Khamenei, or the constitution that allows him nearly unlimited power, despite the widely shared impression that his hand is behind the apparent manipulation of the election results and the crackdown that has followed. Instead, they are demanding that their votes be counted and, numbers permitting, that they be allowed to elect the candidate of their choice, from among the few whom Khamenei’s Guardian Council had preapproved to run for office. In effect, they insist that the path of legal, internal reform be kept open. Whether this unity and singularity of purpose will survive depends partly on Moussavi’s leadership, and partly on how much pressure Khamenei brings to bear.

Count our votes: the modesty of this demand is particularly moving, set against the majesty of the demonstrations. Under the Islamic Republic, public spaces are surveilled for adherence to the dress code and Islamic morality, for suspicious gatherings and raucous laughter, for trespasses that take even their perpetrators by surprise. For those with secrets to hide, the streets are full of eavesdroppers. But now, for once, life as it pulses in the sanctuary of Iranian homes has burst onto the streets. The scale of the crowds is remarkable, as is their confidence, which seems to grow with each day that the protests are not met with overwhelming violence.

But of the two sides in this confrontation only one has an army of special forces, known as white shirts, willing to extract a price for defiance in blood. There is something vertiginous now about the display of all that courage under the lengthening shadow of Tiananmen Square, in a nation whose government has long appeared to view China’s as a model. President Obama has so far struck the right notes by upholding the human and civil rights of the protesters without interfering in Iran’s internal politics. But a bigger showdown is coming. If the Islamic Republic dares to mow down those ebullient crowds, it will write itself a villainous chapter in history and offend the conscience of the world. ♦

Monday, July 21, 2008

Left I on New Yorker Obama Cartoons: Willful Demagoguery

Ever read something you wish you'd thought of yourself? Once blogger Left I explained it, it was so clear. Satire is when there's a difference between the reality and the "satire." When the New Yorker reproduces exactly what the most ruthless and vicious elements of our society believe and attempt to propagate, it's like trying to get away with a calumny by saying (as Left I points out), "Some people say, Senator, that you beat your wife..."

Before I read Left I's two blogs which are worth quoting entire, I was confused. As a long time New Yorker subscriber I guess I didn't want to believe what my eyes were telling me (despite Jeffrey Goldberg and so much else). I was also reminded of the incident of the Dutch cartoons where right wing forces tried (and succeeded) in raising tensions between the communities.

Apropos, the New York Times in its regular Sunday (7.20.08) political cartoons section, featured one from the Los Angeles Daily News replicating the New Yorker cartoon. Patrick O'Conner's version has Bush in the Oval Office toting Michelle's Ak-47 and fist bumping Cheney dressed in Taliban garb (complete with sandals) while the Constitution burns in the fireplace underneath a painting of Richard Nixon flashing V for Vendetta.
My question naturally about the Daily News cartoon is: Is it satire?
Ronald
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Racism as "satire"
by Left I on the News

http://lefti.blogspot.com/
7.14.08
You've probably all seen or heard about the latest New Yorker cover (at left) which the magazine defends as "satire." No, anti-black racism (Michelle Obama as an armed black militant) and anti-Arab racism (Barack Obama depicted as a Muslim burning the American flag and honoring Osama bin Laden) is not "satire," and it's not just "tasteless and offensive" as the Obama camp labels it. McCain won't even go that far, apparently doesn't think it's offensive himself, he just would "understand if Senator Obama and his supporters would find it offensive".

The whole cartoon is kind of like the scurrilous "some people say" mode of reporting which has overrun the national media. They never make accusations themselves, you understand. "Some people say, Senator, that you beat your wife. How do you respond?"

Some people say :-) (no, really, I heard someone on TV say it) that the cartoon is just "politically incorrect," and people who don't like it are just insensitive. But criticism of "political correctness" almost always disguises the real message behind it. If someone is fat, making a joke about them being fat could be described as "politically incorrect" (not to mention tasteless, offensive, insensitive, and downright bad manners). But if someone isn't fat, making a joke about them being fat not only isn't funny, but it reveals the joke-teller's prejudice against fat people.

I can't speak for the actual prejudices of the artist or the editors of this magazine. But for reinforcing existing prejudices, they've managed to do a heck of a job. The same "defender" of the cartoon I heard on TV made the argument that people who read the New Yorker won't believe the cartoon represents anything real, and anyone who does wouldn't have voted for Obama anyway. Maybe, maybe not, but wherever they stand, their subconscious prejudices have been enhanced. Maybe they won't ever make a public statement about Muslims, but deep down inside they might well be a little more inclined to think of all Muslims as bin Laden-loving, America-hating terrorists, and support legislation or vote for candidates who reinforce those ideas. Not to mention the effect the cover and its attendant publicity will have on the millions of non-New Yorker readers who see it and have their prejudices reinforced.

How about a cover making fun of Obama for talking out of both sides of his mouth on Iraq, or a host of other issues? How about a cover showing Obama saying "let's withdraw troops from Iraq" and then saying "let's send more troops to Afghanistan" labeled "man of peace?"? But this cover? To me, it's blatant racism, and I'll have none of it.

Update: I should have commented on the New Yorker's defense: the cover "combines a number of fantastical images about the Obamas and shows them for the obvious distortions they are." Really? How does it show them for "obvious distortions"? Maybe Michelle Obama really was an armed Black Panther when she was young. How would this cover show such an idea as an "obvious distortion"? Maybe Barack Obama really is a closet Muslim. Plenty of people believe it (of course, plenty of people still believe that there were WMD in Iraq and even that they were found after the invasion). How would this cover demonstrate that that idea was an "obvious distortion"? It does nothing of the sort.

Second update: CNN (I think) did a feature where they interviewed people in front of a newsstand, asking if this cover made them feel positive or negative about Obama. It was of course an edited piece, but everyone they showed thought it was negative. And the figures they gave on, e.g., how many people believe Obama is a Muslim, emphasized all the more that encouraging that belief with this cover is a gross disservice to the truth. There are lots of reasons not to vote for Obama (from my point of view). The "fact" that he's a Muslim, which he isn't, certainly isn't one of them, and it shouldn't be for anyone on the right (i.e., in the wrong) either. The New Yorker's reinforcing of that belief is truly despicable.

--posted @ 7/14/2008

Once again on satire

I've been thinking some more about the New Yorker cover and the question of satire. Long-time readers may recall that we've had disagreements here over Stephen Colbert, whose "satire" I have claimed is often not (although I feel that less so recently than I did a year or two ago).

Expanding on things I've written before, here's my working definition, which applies to Colbert and the New Yorker: if the only thing that distinguishes alleged "satire" from an original is the source, it isn't satire, it's "imitation." It may or may not be funny, but it isn't satire.

If you could take a transcript of a Colbert interview, hand it to Bill O'Reilly, and have him read it without batting an eye, then it wasn't satire - it was imitation.

Likewise, imagine if the Obama cover had appeared not in the New Yorker but in "Ku Klux Klan Monthly." Would it be satire then? Hardly. People would immediately brand it as scurrilous racist trash. How about a more "respectable" (and actually existing) magazine like National Review? Same deal. I doubt people would just be talking about how it was "tasteless." Nor would they be claiming with a straight face it was "satire."

Satire has to be distinguishable in some way, if only with a wink (but preferably with a lot more), from the original or the imagined original or it isn't satire. Take the New Yorker cover. Most people will be familiar with the famous "a New Yorker's view of the world" which shows an utterly distorted view of the country from the point of view of a New York-centric person. It's obviously exaggerated, and funny (well, it was the first time). The Obama cover could have been done as "a right wingers view of Obama" as both a parody of the "New Yorker's view of the world" and a satire on ludicrous right-wing views of Obama, with a cover making it clear that the object of the satire wasn't Obama, but the ridiculous rumor-mongers. It didn't do that, though.

Real satire is both over the top and, and the same time...not. Stephen Colbert's talk at the White House Correspondent's dinner in 2006 was one of the best examples ever, a nuclear bomb of satire, so powerful that, to mix metaphors a bit, it went over like a lead balloon with the crowd and the corporate media because it hit too close to home. The New Yorker cover, as is, could never be that, because something that corresponds too closely to something actually believed by far too many people couldn't possibly be over the top.

--posted @ 7/15/2008